10 MPH is a comical documentary that follows Hunter Weeks and Josh Caldwell as they quit soul-numbing jobs and turn a friend's ludicrous idea into a movie. The impulsive purchase of a two-wheeled Segway scooter sets this story in motion when the two friends decide to travel from Seattle to Boston at 10 MPH in an attempt to change their lives forever.

What ensues is a road trip like none other with a haphazard cast of characters you could only find on an enlightening 100 day trek through America's back roads.

When production began in 2004 on the "America at 10 mph" Segway trip across the country, Yahoo! featured our website as the site of the day. This began a watershed of press activities, including a 3-part series with Liane Hansen on NPR Weekend Edition. This press activity spread around the world culminating in 100's of feature profiles on America at 10 mph and continued into post production. Feature highlights include: New York Times, CNN, FOX News, Maxim, FHM, NPR, Boston Globe, C|NET, Japan Times, Globe & Mail; Total impressions for this press coverage are in the 10's of millions.

When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone—puzzling, provocative, and perfect. —Jeff Shannon

The emotionally and physically charged lives of three people, a college professor (Sean Penn), an ex-con (Benicio Del Toro) and a young mother with a reckless past (Naomi Watts), collide unexpectedly in this gripping suspense thriller.

Fate brought them together. Now vengeance will take them to the heights of love, the depths of revenge and the promise of redemption. Sean Penn, Benicio Del Toro and Naomi Watts give the finest performances of their careers in the film that is "tantalizingly alive!" - Owen Gleiberman, Entertainment Weekly

Academy Award(R)-nominee Edward Norton (Best Actor, 1999, AMERICAN HISTORY X) heads an amazing all-star cast in the critically acclaimed Spike Lee (SUMMER OF SAM, DO THE RIGHT THING) film 25th HOUR. In 24 short hours Monty Brogan (Norton) goes to prison for seven long years. Once a king of Manhattan, Monty is about to say good-bye to the life he knew — a life that opened doors to New York's swankest clubs but also alienated him from the people closest to him. In his last day on the outside, Monty tries to reconnect with his father (Brian Cox, THE BOURNE IDENTITY), and gets together with two old friends, Jacob (Philip Seymour Hoffman, ALMOST FAMOUS) and Slaughtery (Barry Pepper, THE GREEN MILE). And then there's his girlfriend, Naturelle (Rosario Dawson, MEN IN BLACK 2), who might (or might not) have been the one who tipped off the cops. Monty's not sure of much these days, but with time running out, there are choices to be made as he struggles to redeem himself in the 25th hour.

Hailed as the most frightening film since The Exorcist, acclaimed Director Danny Boyle's visionary take on zombie horror "isn't just scary…it's absolutely terrifying" (Access Hollywood).

An infirmary patient awakens from a coma to an empty room…in a vacant hospital…in a deserted city. A powerful virus, which locks victims into a permanent state of murderous rage, has transformed the world around him into a seemingly desolate wasteland. Now a handful of survivors must fight to stay alive, unaware that the worst is yet to come…

From the director of ''Do The Right Thing'' and ''Malcolm X'' comes ''a masterpiece.'' (Chicago Tribune) When a bomb tears through the basement of a black Baptist church on September 15, 1963, it takes the lives of four young girls. This racially motivated crime, sparks the nation?s outrage and helps fuel the civil rights movement sweeping across the country.

Clint Eastwood's legendary "Man With No Name" makes his powerful debut in this thrilling, action-packed "new breed of western" (Motion Picture Herald) from the acclaimed director of The Good, the Bad and the Ugly and For a Few Dollars More. Exploding with blistering shootouts, dynamic performances and atmospheric cinematography, it's an undisputed classic of the genre. A mysterious gunman (Eastwood) has just arrived in San Miguel, a grim, dusty border town where two rival bands of smugglers are terrorizing the impoverished citizens. A master of the "quick-draw,"the stranger soon receives offers of employment from each gang. But his loyalty cannot be bought; he accepts both jobs...and sets in motion a plan to destroy both groups of criminals, pitting one against the other in a series of brilliantly orchestrated setups, showdowns and deadly confrontations.

When right-wing icon Oliver North tried his hand at electoral politics in 1994, running for a U.S. Senate seat in Virginia, documentary filmmakers R.J. Cutler and David Van Taylor came along to record all the action. The access given to the filmmakers by North's election staff is startling, especially as it reveals the cynical realities at the heart of his campaign. Scenes of North professing his born-again faith are juxtaposed with footage of his foul-mouthed campaign managers plotting to use sexual rumors against his opponent, Senator Chuck Robb. Indeed, even North's own fabled mendacity is put before the camera: North is shown, in his 1987 immunized Congressional testimony, admitting that he lied to Congress, and then years later he's seen telling credulous high school students at a campaign stop that he never lied to Congress, but the press lied to the American people. Watching this revealing film, one wonders why North's campaign managers welcomed the camera crews into their profanity-filled staff meetings, but perhaps their egos demanded that people would someday get to see how cocky and mean-spirited they truly were. North lost the election, and went on to riches as a radio talk-show host, but this documentary about his campaign scores a win by exposing the dark heart of American politics in the 1990s. —Robert J. McNamara